Tag: Panorama

Peng Chau Island with LomoChrome Purple


A weekend getaway to different islands in Hong Kong is another great options for a warm sunny Saturday. Peng Chau is one of my favourite island though it is not as big as Cheung Chau but the vibe and quietness attracted me to re-discover this little outlier.


LomoChrome Purple XR 100-400 is a Lomography negative film trying to bring back the impression and colour tone of the famous Kodak Aerochrome. This single roll of film has been sitting together with the rest of my unused film for almost half a year. Since the weather was so good on that day, I decided to take it with me and shoot something differently with a Hasselblad Xpan II, Panoramic format.

After loading the film into the panoramic camera. There is one question immediately came to my mind. Which ISO speed should I use? The film was indicated 100-400 on it’s package. I read a few blogs and articles about this film most of them suggest you to shoot at ISO 200 to give the best result of its purple tone. Then I changed the ISO setting at the back of my Xpan to ISO 200. Some suggested to use ISO 100 when the environment is darker, in this case some shots was slightly overexposed by one to half stop. Through composition and guessing the colour effect from this film was fun because it is something new to me. Last time I had this feeling was with the Kodak High Speed Infrared black and white film.


Peng Chau Island is so nice because of it’s size. Great for pairs or some photo hobbyist to spend a full day just to walk around on this beautiful island. It has some nice beaches, scattered buildings and there is no tall buildings which was great.

We walked from ferry pier to get some local “Char Charn Tang” food and then continue the journey along the beach. After that we went up to Finger Hill then moved to walk along the coastline.


20 shots were fired and the film safely returned in the film canister. I sent the film to trustworthy lab – Colorluxe Express in Wan Chai Jaffe Road. And I got the scanned copy on the same day.


So now, red became purple, blue became cyan. The mood is quite special to me. I think I will try to shoot one or two more under different environment but definitely not my essential negative film. But worth to give it a try!


AgfaPhoto Vista Plus 400



Name: AgfaPhoto Vista Plus

ISO: 400

Film type: Colour Negative

Character: Sensitive to red colour, saturation is high


Brief Summary

ISO 400 is the perfect box speed to shoot under different conditions. Since my beloved Kodak Super Gold 400 has already been discontinued. I need to find a replacement for it. I tried Kodak Portra 400 but we didn’t really work out. I always have the impression that the Agfa Vista 400 is cheap with low quality reflected on its price tag. But I was totally wrong to have this impression to it. Why? Let me explain with the follow points.

Jacqueline-carson-prewedding-shot-sai-wan-pier-memory-before-marriage-Hong-Kong-city-photowalk-Agfaphoto-agfa-vista-plus-400-iso400-film-negative-snap-Xpan-Hassel-Hasselblad-XpanII-45mm-f4-wide-pano 3
Jacqueline-carson-prewedding-shot-sai-wan-pier-memory-before-marriage-Hong-Kong-city-photowalk-Agfaphoto-agfa-vista-plus-400-iso400-film-negative-snap-Xpan-Hassel-Hasselblad-XpanII-45mm-f4-wide-pano 3

Sharp colour and fair sharpness

“RED” is the first impression of Agfa Vista, at the same time it is the signature. It has great skin tone reproduction which I am quite surprised. I love how it can enhance my presentation on street snaps. When I do photo walk in Hong Kong, I always wanted to bring up colour as one of the key matter in my content. Agfa Vista 400 helps me a lot with bringing up the sharp colour rendering. Also, it is great to use under different weather as other film cannot really bring up the right mood when the weather is bad. And normally I will just shoot with black and white film immediately when I knew it is going to rain on that day. Frankly speaking, I like it more than X-tra 400 or Superia Premium 400 because it doesn’t has the Fuji green tint. I like it presented in warmer tone like the Kodak film and it is cheap in price. Sharpness is fair, not so sharp compare with Kodak Portra 400 but you couldn’t ask for more with such price.

colourful-kid-with-pattern-strip-with-geometry-street-snap-outstreet-Photo-walk-hong-kong-hk-hongkong-City-snaps-cities-scanner-film-using-leica-m2-summicron-35mm-f2-iv-pre-asph-analog-shutter-allianceAll three images taken with Leica Summicron 35mm f2 IV pre-asph


Even though they stated it has fine-grain structure on their website. But I think their grain formation is a bit coarse. When you compare other film with ISO400. Agfa’s grain is less appealing. I find Fujifilm Superia Premium 400 and Portra 400 are much better in grain structure with more consistent and smooth grain particles.

snow-mountain-wedding-pre-wedding-shot-Yunan-Shangrila-China-travel-Agfaphoto-agfa-vista-plus-400-iso400-film-negative-snap-Xpan-Hassel-Hasselblad-XpanII-45mm-f4-wide-pano 7


Why do I prefer Agfa Vista 400 than Kodak Portra 400, Fujifilm Superia Premium 400 and X-tra 400?

Based on my experience of using these films. The main reason I love Agfa is that it has wide exposure latitude that makes me achieving consistent result under different lighting environment. Whether it is sunny or cloudy, it maintains great grey balance. However, for Fujifilm Superia Premium 400 and X-tra 400, when you use it on cloudy day and lack of sunlight, the mood will be more depressed. So I would describe Agfa Vista as a happy film, it absorbs colour and present it in high saturation. On the other hand, the thing that I like Agfa Vista more than Kodak Portra 400 is that I can get better tone in various environment, such as landscape, portrait even though the grain is not as fine as Portra 400. But all these characteristics shape the Agfa Vista 400 to be an all -rounded film.

Road-to-snow-mountain-blue-moon-hole-landscape-tibetan-culture-Yunan-Shangrila-China-travel-Agfaphoto-agfa-vista-plus-400-iso400-film-negative-snap-Xpan-Hassel-Hasselblad-XpanII-45mm-f4-wide-pano 8
horse-having-grass-eaing-landscape-tibetan-culture-Yunan-Shangrila-China-travel-Agfaphoto-agfa-vista-plus-400-iso400-film-negative-snap-Xpan-Hassel-Hasselblad-XpanII-45mm-f4-wide-pano 8
took-a-quick-snap-out-of-car-window-landscape-tibetan-culture-Yunan-Shangrila-China-travel-Agfaphoto-agfa-vista-plus-400-iso400-film-negative-snap-Xpan-Hassel-Hasselblad-XpanII-45mm-f4-wide-pano 8
took-a-quick-snap-out-of-car-window-landscape-Yunan-Shangrila-China-travel-Agfaphoto-agfa-vista-plus-400-iso400-film-negative-snap-Xpan-Hassel-Hasselblad-XpanII-45mm-f4-wide-pano 8All panorama pictures are taken with Hasselblad Xpan II 45mm f4