Tag:Kodak Ultramax 400

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MS Optics ISM 50mm f1.0 M Mount – A Baroque Creamy Lens

MS Optics ISM 50mm f1.0 M Mount – A Baroque Creamy Lens Lens Review MS Optics ISM 50mm f1.0 M Mount – A Baroque Creamy Lens September 24, 2021 First time I heard about this MS Optics 50/1.0 M Mount lens was from an announcement in JCH’s post. The article was about Miyazaki san designing an ultra-fast f1.0 lens mentioned this 50mm is super compact equipped with thin and light high power glasses and I immediately got hooked on it. […]

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Kodak vs Fujifilm – Comparison between the Tones and Characters

Kodak vs Fujifilm Guides and Tips Comparison between the Tones and Characters (With 12 Film types samples) Kodak vs Fujifilm – Comparison between the Tones and Characters April 25, 2021 Which film should I begin with and which brand I should try? What are the differences between Kodak and Fujifilm? These are the questions in many of the film beginner’s minds. Film community has been growing in the past years and it is great to see everyone going out to […]

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Top 5 Colour Negative Films You Should Try

Top 5 Colour Negative Films You Should Try Guides and Tips Top 5 Colour Negative Films You Should Try November 27, 2020 There are 3 different types of film, colour negative, black and white negative and colour reversal (slide) film. In terms of price, cost of processing and usage, colour negative is the most common option. There are more colour negative film options than other film types in the market with major brands such as Kodak, Fujifilm, Cinestill…etc. Below are […]

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Kodak Ultramax 400 Review

Analog Film Review Kodak Ultramax 400 Best budgeted Option for every film shooters Kodak Ultramax 400 Review July 31, 2020 Signature Kodak Warm Tone Kodak Ultramax 400 is within the family of Gold 200 and ColorPlus 200. It is actually an all-purpose film. Within Kodak’s ISO400 family tree seems people overlooked this film and I think cost and value-wise this is such a great option compare with Kodak Portra 400 and Ektar 100. So far I have shot quite a […]

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