Tag: Hong Kong

JCH Street Pan 400

JCH-street-pan-400-Japan-Camera-Hunter-Film-Casette-photo-analog-shootfilm-review-blog-1

An alternative for Black and White Film Shooters?

I am always so excited whenever there is new film launched in the market, so I picked few rolls of JCH Street Pan 400 out of curiosity. I pre-assumed that this film is just a normal black and white film with high contrast and little details. But after the film was developed by lab. I was happy with the result and decided to try few rolls more. I spoke to the lab about it and they said the film base is similar to Rollei/AGFA, very thin and top and bottom unexposed areas are transparent after developed.

JCH-street-pan-400-Japan-Camera-Hunter-Film-Casette-photo-analog-shootfilm-review-blog-1
Name:
 JCH Street Pan 400

ISO: 400

Film type: Black and white

Character: High contrast with fine grain structure

 


The Reborn of a Surveillance film

JCH Street Pan 400 is not having a newly invented emulsion, it is an old discontinued surveillance film that was made by AGFA. In 2016, Bellamy Hunt from Japan Camera Hunter decided to bring this film back to life. JCH website mentioned that It has high sensitivity to red lights, and it is optimal for different weather conditions and under low light environments.

Portrait-of-keith-shutter-alliance-Hong-Kong-HK-JCH-japan-camera-hunter-street-pan-400-iso-black-and-white-bw-film-review-analog-135-Leica-M2-Summicron-35mm-f2-pre-asph-IV
looking-at-helicopter-waterfront-Hong-Kong-HK-JCH-japan-camera-hunter-street-pan-400-iso-black-and-white-bw-film-review-analog-135-Leica-M2-Summilux-35mm-f1.4-ASPH-FLE-11663
lovers-hug-suen-yat-sun-park-Hong-Kong-HK-geometry-JCH-japan-camera-hunter-street-pan-400-iso-black-and-white-bw-film-review-analog-GW690II-fujifilm-medium-format-120
Keith-in-action-shooting-Hong-Kong-HK-JCH-japan-camera-hunter-street-pan-400-iso-black-and-white-bw-film-review-analog-135-Leica-M2-Summicron-35mm-f2-pre-asph-IV


Contrast and Greyscale 

The contrast of JCH Street Pan is fairly high at box speed. But it helps to bring out the mood with such contrast level keeping a great tonality. It has rich greyscale, but not as broad as Kodak Tri-X and the tone is great for street photography which performs really well under different weather conditions. So you don’t have to worry about getting a grey and flat result on a cloudy day as other black and white film needs more sunlight and push the film to get the same tonality.

Macau-ferry-terminal-Hong-Kong-HK-geometry-JCH-japan-camera-hunter-street-pan-400-iso-black-and-white-bw-film-review-analog-GW690II-fujifilm-medium-format-120
tourists-taking-pictures-HKCCC-convention-centre-Hong-Kong-HK-JCH-japan-camera-hunter-street-pan-400-iso-black-and-white-bw-film-review-analog-135-Leica-M2-Summilux-35mm-f1.4-ASPH-FLE-11663
lizard-his-pet-at-work-Hong-Kong-HK-JCH-japan-camera-hunter-street-pan-400-iso-black-and-white-bw-film-review-analog-135-Leica-M2-Summilux-35mm-f1.4-ASPH-FLE-11663
Stripes-chinese-tourists-Hong-Kong-HK-JCH-japan-camera-hunter-street-pan-400-iso-black-and-white-bw-film-review-analog-135-Leica-M2-Summicron-35mm-f2-pre-asph-IVThird-hand-holding-umbrella-sunny-Hong-Kong-HK-JCH-japan-camera-hunter-street-pan-400-iso-black-and-white-bw-film-review-analog-135-Leica-M2-Summicron-35mm-f2-pre-asph-IV

Compare JCH Pan 400 with Kodak Tri-x, ilford HP5 (Grain, Contrast, Mood)

I would describe JCH Pan 400 is a film between Tri-x and ilford HP5, a mixture of both. JCH Street Pan 400 is characterised by its fine grain structure. It is not as grainy as Tri-X or HP5 and the grain structure is similar to HP5. It can easily render the mood that I want at box speed. However, to get the same mood with HP5 or Tri-X you have to push the film to ISO800 or even 1600.     

Development times:

R09 One Shot (Rodinal) 1 + 25 10:30
R09 One Shot (Rodinal) 1 + 50 22:00
R09 Spezial / Studional 1 + 15 8:30
R09 Spezial / Studionial 1 + 31 17:00
Rollei Supergrain 1 + 12 7:00
Rollei RLS (ISO 200/24°) 1 + 4 14:30 (24°)
Ilford Ilfosol 3 1 + 3 5:00
Illord ID-11 / Kodak D-76 1 +1 10:50
Ilford Perceptol 1 + 1 10:00
Kodak HC-110 B (1+31) 5:00
Kodak X-Tol 1 + 1 17:00
Tanol (ISO 200/24°) 1 + 1 + 100 19:30
T-max Dev 1+4 at 20c 9:00

Source from JCH Website

portrait-lizard-his-pat-at-work-Hong-Kong-HK-JCH-japan-camera-hunter-street-pan-400-iso-black-and-white-bw-film-review-analog-135-Leica-M2-Summilux-35mm-f1.4-ASPH-FLE-11663
lizard-his-partner-at-work-Hong-Kong-HK-JCH-japan-camera-hunter-street-pan-400-iso-black-and-white-bw-film-review-analog-135-Leica-M2-Summilux-35mm-f1.4-ASPH-FLE-11663

What cameras/gears did I use to take the images?

Leica M2 with Summicron 35mm f2 IV
GW690II

Where to buy?

Barton1972
JCH Offical website

portrait-reptile-lizard-his-pat-at-work-Hong-Kong-HK-JCH-japan-camera-hunter-street-pan-400-iso-black-and-white-bw-film-review-analog-135-Leica-M2-Summilux-35mm-f1.4-ASPH-FLE-11663
Keith-with-his-camera-Hong-Kong-HK-JCH-japan-camera-hunter-street-pan-400-iso-black-and-white-bw-film-review-analog-135-Leica-M2-Summicron-35mm-f2-pre-asph-IV
Keith-smoking-walking-to-pier-Hong-Kong-HK-JCH-japan-camera-hunter-street-pan-400-iso-black-and-white-bw-film-review-analog-135-Leica-M2-Summicron-35mm-f2-pre-asph-IV
Pedestrian-walk-Hong-Kong-HK-geometry-JCH-japan-camera-hunter-street-pan-400-iso-black-and-white-bw-film-review-analog-GW690II-fujifilm-medium-format-120
formation-complexity-Hong-Kong-HK-JCH-japan-camera-hunter-street-pan-400-iso-black-and-white-bw-film-review-analog-135-Leica-M2-Summilux-35mm-f1.4-ASPH-FLE-11663
Central-Hong-Kong-HK-geometry-JCH-japan-camera-hunter-street-pan-400-iso-black-and-white-bw-film-review-analog-GW690II-fujifilm-medium-format-120
helicopter-taking-off-Hong-Kong-HK-JCH-japan-camera-hunter-street-pan-400-iso-black-and-white-bw-film-review-analog-135-Leica-M2-Summilux-35mm-f1.4-ASPH-FLE-11663

Hong Kong City Scanner 002

Bright-Sunny day-Wan Chai-Attraction-tourist-Chinese-Studio umbrella-Hong-Kong-Street-Snap-Streetphotography-Style-JCH pan 400-Japan Camera Hunter-JCH-ISO400-Back and white film-B&W- BW-Analog-Film camera-135

City: Hong Kong
Camera: Leica M2
Lens: Leica Summilux 35mm f1.4 FLE ASPH, Summicron 35mm f2 IV pre-a
Film: JCH Street Pan 400

Bright Sunny day with a roll of JCH Pan 400 to do some city snaps in Wan Chai District.

Guy bringing his work companion-Lizard-reptile-Hong-Kong-Street-Snap-Streetphotography-Style-JCH pan 400-Japan Camera Hunter-JCH-ISO400-Back and white film-B&W- BW-Analog-Film camera-135 format 2
Geometry-Workers-Hong-Kong-Street-Snap-Streetphotography-Style-JCH pan 400-Japan Camera Hunter-JCH-ISO400-Back and white film-B&W- BW-Analog-Film camera-135 format
Guy bringing his work companion-Lizard-reptile-Hong-Kong-Street-Snap-Streetphotography-Style-JCH pan 400-Japan Camera Hunter-JCH-ISO400-Back and white film-B&W- BW-Analog-Film camera-135 format-Leica SummiluxHe brings his lizard to work! (JCH Street Pan 400 with Summilux 35mm f1.4 ASPH FLE)
Bright-Sunny day-Wan Chai-Attraction-tourist-Chinese-Studio umbrella-Hong-Kong-Street-Snap-Streetphotography-Style-JCH pan 400-Japan Camera Hunter-JCH-ISO400-Back and white film-B&W- BW-Analog-Film camera-135
Umbrella-tourist-Mainland-Chinese-Studio umbrella-Hong-Kong-Street-Snap-Streetphotography-Style-JCH pan 400-Japan Camera Hunter-JCH-ISO400-Back and white film-B&W- BW-Analog-Film camera-135 formatTourist taking pictures in Wan Chai Golden Bauhinia Square (JCH Street Pan 400 with Summilux 35mm f1.4 FLE)
Keith-Fong-smoking- waiting to cross the road- in Wan Chai-JCH-Pan 400-Japan Camera Hunter-Hong Kong-Leica User-Street Shot-Shooter-rangefinder-ISO400-film-black and white-135 format
Keith-Fong-Snapping in Wan Chai-JCH-Pan 400-Japan Camera Hunter-Hong Kong-Leica User-Street Shot-Shooter-rangefinder-ISO400-film-black and white-135 format
Keith-Fong-Snapping in Wan Chai-JCH-Pan 400-Japan Camera Hunter-Hong Kong-Leica User-Street Shot-Shooter-rangefinder-ISO400-film-black and white-135Keith snapping around (JCH Street Pan 400 with Summicron 35mm f2 IV pre-a)(Above and below)
Smoking-Cigarette-Old man with Sunglasses-Hong-Kong-Street-Snap-Streetphotography-Style-JCH pan 400-Japan Camera Hunter-JCH-ISO400-Back and white film-B&W- BW-Analog-Film camera-135 format-Portrait-Guy-Sogo
Old man are posing-Park-WaterFront-hook-Sunny Day-JCH pan 400-ISO400-Summicron 35mm-film-black and white-Japan Camera HunterJCH Street Pan 400 with Summicron 35mm f2 IV pre-a
Helicopter-Landing-Government-Hong-Kong-Street-Snap-Streetphotography-Style-JCH pan 400-Japan Camera Hunter-JCH-ISO400-Back and white film-B&W- BW-Analog-Film camera-135 formatTaking off (JCH Street Pan 400 with Summilux 35mm f1.4 ASPH FLE)
Lizard-reptile-Hong-Kong-Street-Snap-Streetphotography-Style-JCH pan 400-Japan Camera Hunter-JCH-ISO400-Back and white film-B&W- BW-Analog-Film camera-135 format-Portrait-Guy-SogoHis work companion (JCH Street Pan 400 with Summilux 35mm f1.4 ASPH FLE)

 

Hong Kong City Scanner 001

Construction-working-working-on-super-hot-sunny-day-afternoon-in-Wan-Chai-Leica-Summicron-35mm-f2-IV-Pre-asph-Rollei-Vario-Chrome-320-Film-Review-Photo-walk-in-Hong-Kong

City: Hong Kong
Camera: Leica M2
Lens: Leica Summicron 35mm f2 IV pre-a
Film: Rollei Vario Chrome at ISO400

Every saturday afternoon I will grab my Film camera and start walking on foot in this vibrant city – Hong Kong. This time, the images were focused in the Wan Chai District.

All photos were taken with Rollei Vario Chrome at ISO400

Complexity-and-complicated-constructions-in-Hong-Kong-Leica-Summicron-35mm-f2-IV-Pre-asph-Rollei-Vario-Chrome-320-Film-review-Photo-walk-in-hong-Kong
Chinese-tourist-Selfie-is-everywhere-taken-in-Wan-Chai-water-front-Leica-Summicron-35mm-f2-IV-Pre-asph-Rollei-Vario-Chrome-320-Film-review-Photo-walk-in-Hong-KongLeica Summicron 35mm f2 IV pre-a with Rollei Vario Chrome (Above and Below)
Candid-shots-people-fishing-in-Wan-Chai-waterfront-Leica-Summicron-35mm-f2-IV-Pre-asph-Rollei-Vario-Chrome-320-Film-Review-Photo-walk-in-Hong-Kong
Candid-shots-people-fishing-in-Wan-Chai-waterfront-Leica-Summicron-35mm-f2-IV-Pre-asph-Rollei-Vario-Chrome-320-Film-Review-Photo-walk-in-Hong-Kong
Photo-walk-with-Victor-Chen-during-Sunset-in-Wan-chai-waterfront-Leica-Summicron-35mm-f2-IV-Pre-asph-Rollei-Vario-Chrome-320-Film-review-Photo-wakLeica Summicron 35mm f2 IV pre-a with Rollei Vario Chrome (Above and Below)
Fishing-next-to-the-helicopter-port-Leica-Summicron-35mm-f2-IV-Pre-asph-Rollei-Vario-Chrome-320-Film-review-Photo-walk-in-Hong-Kong
Monk-from-india-visiting-Hong-Kong-Snapped-at-wan-chai-Leica-Summicron-35mm-f2-IV-Pre-asph-Rollei-Vario-Chrome-320-Film-review-Photo-walk-in-Hong-Kong
Monk-from-india-visiting-Hong-Kong-Snapped-at-wan-chai-Leica-Summicron-35mm-f2-IV-Pre-asph-Rollei-Vario-Chrome-320-Film-review-Photo-walk-in-Hong-KongMonk-from-india-visiting-Hong-Kong-Snapped-at-wan-chai-Leica-Summicron-35mm-f2-IV-Pre-asph-Rollei-Vario-Chrome-320-Film-review-Photo-walk-in-Hong-KongMonks from India enjoying the view in Wan Chai Pier
Love-her-hat-matching-with-the-background-in-Wan-Chai-harbour-Leica-Summicron-35mm-f2-IV-Pre-asph-Rollei-Vario-Chrome-320-Film-review-Photo-walk-in-Hong-Kong
Construction-working-working-on-super-hot-sunny-day-afternoon-in-Wan-Chai-Leica-Summicron-35mm-f2-IV-Pre-asph-Rollei-Vario-Chrome-320-Film-Review-Photo-walk-in-Hong-Kong
Standard-scenic-view-of-Hong-Kong-skyscrapers-Leica-Summicron-35mm-f2-IV-Pre-asph-Rollei-Vario-Chrome-320-Film-review-Photo-walk-in-Hong-Kong

Hong Kong Night Tide 001

Hawker-Porter-Gear-Ladies-Market-Portrait-Hong-Kong-Night-Tide-Photo-walk-Night-Street-Snap-CineStill-800T-Tungsten-Leica-Summilux-11663-35mm-pushed-ISO2400-Motion-picture-Colour-Movie-Feel-Rainy

City: Hong Kong
Camera: Leica M2
Lens: Leica Summilux 35mm f1.4 FLE ASPH
Film: CineStill 800T Tungsten

After the heavy rain is always the best time to take your camera out and go for a walk in Hong Kong. City Night Tide is fabulous with different neon lights in the most condensed District – Mong Kok (All images were taken with CineStill 800 Tungsten pushed to ISO2400) For detail of this film, you may refer to CineStill 800T

Scenic-Raining-Top-view-Temple-Street-Hong-Kong-Night-Tide-Photo-walk-Night-Street-Snap-CineStill-800T-Tungsten-Leica-Summilux-11663-35mm-pushed-ISO2400-Motion-picture-Colour-Movie-Feel
Scenic-Raining-Top-view-Temple-Street-Hong-Kong-Night-Tide-Photo-walk-Night-Street-Snap-CineStill-800T-Tungsten-Leica-Summilux-11663-35mm-pushed-ISO2400-Motion-picture-Colour-Movie-Feel2Temple Street Entrace 
Scenic-Raining-Top-view-Temple-Street-Hong-Kong-Night-Tide-Photo-walk-Night-Street-Snap-CineStill-800T-Tungsten-Leica-Summilux-11663-35mm-pushed-ISO2400-Motion-picture-Colour-Movie-Feel3-Banner

Hawker-Porter-Gear-Ladies-Market-Portrait-Hong-Kong-Night-Tide-Photo-walk-Night-Street-Snap-CineStill-800T-Tungsten-Leica-Summilux-11663-35mm-pushed-ISO2400-Motion-picture-Colour-Movie-Feel-Rainy
Hawker-Porter-Gear-Ladies-Market-Portrait-Hong-Kong-Night-Tide-Photo-walk-Night-Street-Snap-CineStill-800T-Tungsten-Leica-Summilux-11663-35mm-pushed-ISO2400-Motion-picture-Colour-Movie-Feel-2Worker from Ladies Market (Above and Below)

Taxi-Red-Hue-Hong-Kong-Night-Tide-Photo-walk-Night-Street-Snap-CineStill-800T-Tungsten-Leica-Summilux-11663-35mm-pushed-ISO2400-Motion-picture-Colour-Movie-FeelTaxi outside MTR station 
Gary-Portrait-Hong-Kong-Night-Tide-Photo-walk-Night-Street-Snap-CineStill-800T-Tungsten-Leica-Summilux-11663-35mm-pushed-ISO2400-Motion-picture-Colour-Movie-Feel-After-rainStreet companion with his Leica M2
Worker-Hardship-Ladies-Market-Hong-Kong-Night-Tide-Photo-walk-Night-Street-Snap-CineStill-800T-Tungsten-Leica-Summilux-11663-35mm-pushed-ISO2400-Motion-picture-Colour-Movie-Feel3-BannerLadies Market closing down at night(Left and Right)
Hawker-Porter-Gear-Ladies-Market-Portrait-Hong-Kong-Night-Tide-Photo-walk-Night-Street-Snap-CineStill-800T-Tungsten-Leica-Summilux-11663-35mm-pushed-ISO2400-Motion-picture-Colour-Movie-Feel-Closing
Gary-Portrait-Hong-Kong-Night-Tide-Photo-walk-Night-Street-Snap-CineStill-800T-Tungsten-Leica-Summilux-11663-35mm-pushed-ISO2400-Motion-picture-Colour-Movie-Feel
Portrait-Temple-Street-Hong-Kong-Night-Tide-Photo-walk-Night-Street-Snap-CineStill-800T-Tungsten-Leica-Summilux-11663-35mm-pushed-ISO2400-Motion-picture-Colour-Movie-FeelPortrait in Mong Kok (Top and Bottom)
Portrait-Temple-Street-Hong-Kong-Night-Tide-Photo-walk-Night-Street-Snap-CineStill-800T-Tungsten-Leica-Summilux-11663-35mm-pushed-ISO2400-Motion-picture-Colour-Movie-Feel2
Portrait-Hong-Kong-Night-Tide-Photo-walk-Night-Street-Snap-CineStill-800T-Tungsten-Leica-Summilux-11663-35mm-pushed-ISO2400-Motion-picture-Colour-Movie-Feel-Nepalese-Minorities-LocalNepalese from the Grill house (Left and Right)

Rollei Vario Chrome 200-400

rollei-vario-chrome-320-iso320-new-positive-colour-slide-from-process-by-E6-colour-is-warm-and-yellowish-film-review-hk-photos-taken-in-Hong-Kong-photo-walk

rollei vario chrome new rolleii positive colour slide from Rollei process by E6 colour is warm and yellowish film review hk photos taken in Hong Kong photo walk

 

Name: Rollei Vario Chrome

ISO: 320

Film type: Positive Slide

Character: High saturation with warm tone

 

Vintage feel and Warm tone

Rollei Vario Chrome is a daylight highspeed colour reversal film with good sharpness. The warmth produced from the film depends on the environment that you use, the brighter the sun is, the warmer the picture will be. Besides, I discovered that it is quite similar to its brother, Rollei CR200 slide film. Except that CR200 tends to be more attracted to green or blue colour. Rollei Vario Chrome tends to be more sensitive to yellow and orange colour. Also, it has strong orange cast in it and Vario tends to has a more vintage looking.

All of the sample images was taken on a dazzling day.

Rollei Vario Chrome HK Hong Kong Street Snap Photo walk 320 at 400 Leica Summicron 35mm
Rollei Vario Chrome HK Hong Kong Street Snap Photo walk 320 at 400 Leica Summicron 35mmRollei Vario Chrome at ISO400 with Summicron 35mm f2 IV pre-a
Monk India Visiting Hong Kong Rollei Vacrio Chrome 400 Summicron leica

Quite special when you look at it again and again

At first, I was attracted by its fancy packaging and the beautiful film cassette. After the film was developed at my local lab. I was shocked looking at the slides, even Mike, the owner from Colourluxe lab also has his jaw dropped. Both of us were thinking why is it so warm? Few days later when I look at it again and again, I think it is quite special and distinguished from my other images.

Rollei Vario Chrome HK Hong Kong Street Snap Photo walk 320 at 400 Leica Summicron 35mm
Rollei Vario Chrome HK Hong Kong Street Snap Photo walk 320 at 400 Leica Summicron 35mmRollei Vario Chrome HK Hong Kong Street Snap Photo walk 320 at 400 Leica Summicron 35mmRollei Vario Chrome at ISO400 with Summicron 35mm f2 IV pre-a

Which ISO speed to shoot at? 200? 320? 400?

The box speed is at ISO320. But offical website mentioned that the ISO speed is ranging from 200 to 400. The concept is that if you use it at ISO200, it will be slightly overexposed and achieve with lower saturation. At ISO400, the image will be slightly underexposed. So you can follow this rule to set the ISO to determine what kind of images result you would like to have. In my opinion, I like it at ISO400, exposure is similar to other positive slide film.

200 – 320 ISO: Lower saturation (preferable for scanning applications)

320 – 400 ISO: Higher saturation (preferable for slide projection)

Source from macodirect

Rollei Vario Chrome HK Hong Kong Street Snap Photo walk 320 at 400 Leica Summicron 35mm
Rollei Vario Chrome HK Hong Kong Street Snap Photo walk 320 at 400 Leica Summicron 35mm
Rollei Vario Chrome HK Hong Kong Street Snap Photo walk 320 at 400 Leica Summicron 35mm
Rollei Vario Chrome at ISO400 with Summicron 35mm f2 IV pre-a

Rollei Vario Chrome HK Hong Kong Street Snap Photo walk 320 at 400 Leica Summicron 35mm
Rollei Vario Chrome HK Hong Kong Street Snap Photo walk 320 at 400 Leica Summicron 35mm
Rollei Vario Chrome HK Hong Kong Street Snap Photo walk 320 at 400 Leica Summicron 35mm
Rollei Vario Chrome HK Hong Kong Street Snap Photo walk 320 at 400 Leica Summicron 35mm king of bokeh Warm tone New film reviewRollei Vario Chrome at ISO400 with Summicron 35mm f2 IV pre-a

 


What lenses did I use
to take the images?

Leica Summicron 35mm f2 IV pre-asph