Tag: film

JCH Street Pan 400

JCH-street-pan-400-Japan-Camera-Hunter-Film-Casette-photo-analog-shootfilm-review-blog-1

An alternative for Black and White Film Shooters?

I am always so excited whenever there is new film launched in the market, so I picked few rolls of JCH Street Pan 400 out of curiosity. I pre-assumed that this film is just a normal black and white film with high contrast and little details. But after the film was developed by lab. I was happy with the result and decided to try few rolls more. I spoke to the lab about it and they said the film base is similar to Rollei/AGFA, very thin and top and bottom unexposed areas are transparent after developed.

JCH-street-pan-400-Japan-Camera-Hunter-Film-Casette-photo-analog-shootfilm-review-blog-1
Name:
 JCH Street Pan 400

ISO: 400

Film type: Black and white

Character: High contrast with fine grain structure

 


The Reborn of a Surveillance film

JCH Street Pan 400 is not having a newly invented emulsion, it is an old discontinued surveillance film that was made by AGFA. In 2016, Bellamy Hunt from Japan Camera Hunter decided to bring this film back to life. JCH website mentioned that It has high sensitivity to red lights, and it is optimal for different weather conditions and under low light environments.

Portrait-of-keith-shutter-alliance-Hong-Kong-HK-JCH-japan-camera-hunter-street-pan-400-iso-black-and-white-bw-film-review-analog-135-Leica-M2-Summicron-35mm-f2-pre-asph-IV
looking-at-helicopter-waterfront-Hong-Kong-HK-JCH-japan-camera-hunter-street-pan-400-iso-black-and-white-bw-film-review-analog-135-Leica-M2-Summilux-35mm-f1.4-ASPH-FLE-11663
lovers-hug-suen-yat-sun-park-Hong-Kong-HK-geometry-JCH-japan-camera-hunter-street-pan-400-iso-black-and-white-bw-film-review-analog-GW690II-fujifilm-medium-format-120
Keith-in-action-shooting-Hong-Kong-HK-JCH-japan-camera-hunter-street-pan-400-iso-black-and-white-bw-film-review-analog-135-Leica-M2-Summicron-35mm-f2-pre-asph-IV


Contrast and Greyscale 

The contrast of JCH Street Pan is fairly high at box speed. But it helps to bring out the mood with such contrast level keeping a great tonality. It has rich greyscale, but not as broad as Kodak Tri-X and the tone is great for street photography which performs really well under different weather conditions. So you don’t have to worry about getting a grey and flat result on a cloudy day as other black and white film needs more sunlight and push the film to get the same tonality.

Macau-ferry-terminal-Hong-Kong-HK-geometry-JCH-japan-camera-hunter-street-pan-400-iso-black-and-white-bw-film-review-analog-GW690II-fujifilm-medium-format-120
tourists-taking-pictures-HKCCC-convention-centre-Hong-Kong-HK-JCH-japan-camera-hunter-street-pan-400-iso-black-and-white-bw-film-review-analog-135-Leica-M2-Summilux-35mm-f1.4-ASPH-FLE-11663
lizard-his-pet-at-work-Hong-Kong-HK-JCH-japan-camera-hunter-street-pan-400-iso-black-and-white-bw-film-review-analog-135-Leica-M2-Summilux-35mm-f1.4-ASPH-FLE-11663
Stripes-chinese-tourists-Hong-Kong-HK-JCH-japan-camera-hunter-street-pan-400-iso-black-and-white-bw-film-review-analog-135-Leica-M2-Summicron-35mm-f2-pre-asph-IVThird-hand-holding-umbrella-sunny-Hong-Kong-HK-JCH-japan-camera-hunter-street-pan-400-iso-black-and-white-bw-film-review-analog-135-Leica-M2-Summicron-35mm-f2-pre-asph-IV

Compare JCH Pan 400 with Kodak Tri-x, ilford HP5 (Grain, Contrast, Mood)

I would describe JCH Pan 400 is a film between Tri-x and ilford HP5, a mixture of both. JCH Street Pan 400 is characterised by its fine grain structure. It is not as grainy as Tri-X or HP5 and the grain structure is similar to HP5. It can easily render the mood that I want at box speed. However, to get the same mood with HP5 or Tri-X you have to push the film to ISO800 or even 1600.     

Development times:

R09 One Shot (Rodinal) 1 + 25 10:30
R09 One Shot (Rodinal) 1 + 50 22:00
R09 Spezial / Studional 1 + 15 8:30
R09 Spezial / Studionial 1 + 31 17:00
Rollei Supergrain 1 + 12 7:00
Rollei RLS (ISO 200/24°) 1 + 4 14:30 (24°)
Ilford Ilfosol 3 1 + 3 5:00
Illord ID-11 / Kodak D-76 1 +1 10:50
Ilford Perceptol 1 + 1 10:00
Kodak HC-110 B (1+31) 5:00
Kodak X-Tol 1 + 1 17:00
Tanol (ISO 200/24°) 1 + 1 + 100 19:30
T-max Dev 1+4 at 20c 9:00

Source from JCH Website

portrait-lizard-his-pat-at-work-Hong-Kong-HK-JCH-japan-camera-hunter-street-pan-400-iso-black-and-white-bw-film-review-analog-135-Leica-M2-Summilux-35mm-f1.4-ASPH-FLE-11663
lizard-his-partner-at-work-Hong-Kong-HK-JCH-japan-camera-hunter-street-pan-400-iso-black-and-white-bw-film-review-analog-135-Leica-M2-Summilux-35mm-f1.4-ASPH-FLE-11663

What cameras/gears did I use to take the images?

Leica M2 with Summicron 35mm f2 IV
GW690II

Where to buy?

Barton1972
JCH Offical website

portrait-reptile-lizard-his-pat-at-work-Hong-Kong-HK-JCH-japan-camera-hunter-street-pan-400-iso-black-and-white-bw-film-review-analog-135-Leica-M2-Summilux-35mm-f1.4-ASPH-FLE-11663
Keith-with-his-camera-Hong-Kong-HK-JCH-japan-camera-hunter-street-pan-400-iso-black-and-white-bw-film-review-analog-135-Leica-M2-Summicron-35mm-f2-pre-asph-IV
Keith-smoking-walking-to-pier-Hong-Kong-HK-JCH-japan-camera-hunter-street-pan-400-iso-black-and-white-bw-film-review-analog-135-Leica-M2-Summicron-35mm-f2-pre-asph-IV
Pedestrian-walk-Hong-Kong-HK-geometry-JCH-japan-camera-hunter-street-pan-400-iso-black-and-white-bw-film-review-analog-GW690II-fujifilm-medium-format-120
formation-complexity-Hong-Kong-HK-JCH-japan-camera-hunter-street-pan-400-iso-black-and-white-bw-film-review-analog-135-Leica-M2-Summilux-35mm-f1.4-ASPH-FLE-11663
Central-Hong-Kong-HK-geometry-JCH-japan-camera-hunter-street-pan-400-iso-black-and-white-bw-film-review-analog-GW690II-fujifilm-medium-format-120
helicopter-taking-off-Hong-Kong-HK-JCH-japan-camera-hunter-street-pan-400-iso-black-and-white-bw-film-review-analog-135-Leica-M2-Summilux-35mm-f1.4-ASPH-FLE-11663

Seville City Scanner 001

paddling-river-spain-sevilla-seville-competition-race-using-film-camera-inserted-ektar100-ektar-kodak-summicron-leica-35mm-f2-v1-8elements-city-scanner-photo-walk-street-snap

Country: Spain
City: Sevilla
Camera: Leica M2
Lens: Leica Summicron 35mm f2 v1
Film: Kodak Ektar 100

This is the second city that I have visited in Spain. It is quite different from Barcelona and somehow I like this place more than that. Photos were taken during the first day when I arrived in the city. I quickly grabbed my camera and rushed to Plaza de Espana and the sunset in there was beautiful after that I walked along the river side and try to capture something interesting.

 

another-view-plaza-de-espana-spain-sevilla-travel-using-film-camera-inserted-ektar100-ektar-kodak-summicron-leica-35mm-f2-v1-8elements-city-scanner-photo-walk-street-snap-streetphotography-backpacker-places-to-visit

Plaza-de-espana-spain-sevilla-travel-using-film-camera-inserted-ektar100-ektar-kodak-summicron-leica-35mm-f2-v1-8elements-city-scanner-photo-walk-street-snap
shooting-another-view-plaza-de-espana-spain-sevilla-travel-using-film-camera-inserted-ektar100-ektar-kodak-summicron-leica-35mm-f2-v1-8elements-city-scanner-photo-walk-street-snapfront-view-of-plaza-de-espana-spain-sevilla-travel-using-film-camera-inserted-ektar100-ektar-kodak-summicron-leica-35mm-f2-v1-8elements-city-scanner-photo-walk-street-snap

 

people-in-boats-plaza-de-espana-spain-sevilla-travel-using-film-camera-inserted-ektar100-ektar-kodak-summicron-leica-35mm-f2-v1-8elements-city-scanner-photo-walk-street-snap
plaza-de-espana-tourist-spot-spain-sevilla-travel-using-film-camera-inserted-ektar100-ektar-kodak-summicron-leica-35mm-f2-v1-8elements-city-scanner-photo-walk-street-snap
bringing-his-tired-mentally-tiredness-body-home-spain-sevilla-travel-using-film-camera-inserted-ektar100-ektar-kodak-summicron-leica-35mm-f2-v1-8elements-city-scanner-photo-walk-street-snap-streetphotography-backpacker-places-to-visit

 

Walking-random-alley-inside-the-city-of-sevilla-spain-afternoon-light-using-film-camera-inserted-ektar100-ektar-kodak-summicron-leica-35mm-f2-v1-8elements-city-scanner-photo-walk-street-snap
paddling-river-spain-sevilla-seville-competition-race-using-film-camera-inserted-ektar100-ektar-kodak-summicron-leica-35mm-f2-v1-8elements-city-scanner-photo-walk-street-snap
paddling-in-the-river-of-sevilla-spain-europe-using-film-camera-inserted-ektar100-ektar-kodak-summicron-leica-35mm-f2-v1-8elements-city-scanner-photo-walk-street-snap
fitting-little-paddler-in-river-gate-in-spain-sevilla-travel-using-film-camera-inserted-ektar100-ektar-kodak-summicron-leica-35mm-f2-v1-8elements-city-scanner-photo-walk-street-snap
the-moment-you-decide-to-walk-away-shadow-spain-sevilla-travel-using-film-camera-inserted-ektar100-ektar-kodak-summicron-leica-35mm-f2-v1-8elements-city-scanner-photo-walk-street-snap
cycling-in-the-city-spain-sevilla-travel-using-film-camera-inserted-ektar100-ektar-kodak-summicron-leica-35mm-f2-v1-8elements-city-scanner-photo-walk-street-snap
dress-like-a-spainish-spain-sevilla-travel-using-film-camera-inserted-ektar100-ektar-kodak-summicron-leica-35mm-f2-v1-8elements-city-scanner-photo-walk-street-snap
meeting-patterned-dress-woman-tourists-plaza-de-espana-spain-sevilla-travel-using-film-camera-inserted-ektar100-ektar-kodak-summicron-leica-35mm-f2-v1-8elements-city-scanner-photo-walk-street-snap

Tokyo City Scanner 001

spinning-bokeh-of-lady-inside-a-bar-in-Goldengai-Golden-Gai-Famous-shinjuku-district-japan-street-tokyo-streetphotography-blackandwhite-BW-B&W-japanese-travel-with-Sony-A7-A7II-digital-camera-old-nokton-voigtlander-50mm-f1.5-1.5-prominent-mount-vintage

Country: Japan
City: Tokyo
Camera: Pentax 6×7 and Sony A7II
Lens: Super Takumar 105mm f2.4 6×7 and Old Nokton 50mm f1.5 Prominent mount

spinning-bokeh-of-lady-inside-a-bar-in-Goldengai-Golden-Gai-Famous-shinjuku-district-japan-street-tokyo-streetphotography-blackandwhite-BW-B&W-japanese-travel-with-Sony-A7-A7II-digital-camera-old-nokton-voigtlander-50mm-f1.5-1.5-prominent-mount-vintageLady in Golden Gai (Sony A7II with Nokton 50mm f1.5 prominent mount)
man-walking-under-sunlight-creating-shadow-in-shinjuku-district-japan-street-tokyo-streetphotography-blackandwhite-BW-B&W-japanese-travel-with-pentax-67-6x7-mediumformat-medium-format-120-Delta-400-Ilford-Film-analog-105mm-f2.4-super-takumar
lonely-guy-sitting-on-bench-outside-JR-station-in-shinjuku-district-japan-street-tokyo-streetphotography-blackandwhite-BW-B&W-japanese-travel-with-pentax-67-6x7-mediumformat-medium-format-120-Delta-400-Ilford-Film-analog-105mm-f2.4-super-takumar
Old-man-with-his-dog-walking-in-shinjuku-district-japan-street-tokyo-streetphotography-blackandwhite-BW-B&W-japanese-travel-with-pentax-67-6x7-mediumformat-medium-format-120-Delta-400-Ilford-Film-analog-105mm-f2.4-super-takumarShinjuku, Tokyo (Pentax 6×7 105mm f2.5 Super Takumar)
man-walking-under-sunlight-creating-shadow-in-shinjuku-district-japan-street-tokyo-streetphotography-blackandwhite-BW-B&W-japanese-travel-with-pentax-67-6x7-mediumformat-medium-format-120-Delta-400-Ilford-Film-analog-105mm-f2.4-super-takumar
creating-geometry-circle-district-japan-street-tokyo-streetphotography-blackandwhite-BW-B&W-japanese-travel-with-Sony-A7-A7II-digital-camera-old-nokton-voigtlander-50mm-f1.5-1.5-prominent-mount-vintage
outliners-outside-crowd-creating-geometry-circle-district-japan-street-tokyo-streetphotography-blackandwhite-BW-B&W-japanese-travel-with-Sony-A7-A7II-digital-camera-old-nokton-voigtlander-50mm-f1.5-1.5-prominent-mount-vintage
Cool-guy-with-sunglasses-at-night-time-inside-Goldengai-Golden-Gai-Famous-shinjuku-district-japan-street-tokyo-streetphotography-blackandwhite-BW-B&W-japanese-travel-with-Sony-A7-A7II-digital-camera-old-nokton-voigtlander-50mm-f1.5-1.5-prominent-mount-vintage
woman-drinking-and-smoking-in-bar-inside-Goldengai-Golden-Gai-Famous-shinjuku-district-japan-street-tokyo-streetphotography-blackandwhite-BW-B&W-japanese-travel-with-Sony-A7-A7II-digital-camera-old-nokton-voigtlander-50mm-f1.5-1.5-prominent-mount-vintagewoman smoking inside Golden Gai (Sony A7II Nokton 50mm f1.5 Prominent Mount)
at-night-woman-was-having-a-cigarette-smoking-outside-shinjuku-district-japan-street-tokyo-streetphotography-blackandwhite-BW-B&W-japanese-travel-with-Sony-A7-A7II-digital-camera-old-nokton-voigtlander-50mm-f1.5-1.5-prominent-mount-vintageShinjuku Station (Sony A7II Nokton 50mm f1.5 Prominent Mount)

 

 

Hong Kong Night Tide 002

Fay-happy paradise-Hong Kong-LKF-Lan Kwai Fong-Dinner Time-Meet up-CineStill 800T-Tungsten-Noctilux-50mm-Leica-Night-Neon light-HK-Portrait 3

City: Hong Kong
Camera: Leica M2
Lens: Leica Summilux 35mm f1.4 FLE ASPH, Noctilux 50mm f1 e58
Film: CineStill 800T Tungsten

Camera: Leica M2
Lens: Leica Summilux 35mm f1.4 ASPH FLE & Noctilux 50mm f1 e58

Fay-happy paradise-Hong Kong-LKF-Lan Kwai Fong-Dinner Time-Meet up-CineStill 800T-Tungsten-Noctilux-50mm-Leica-Night-Neon light-HK-Portrait 2
Fay-portrait of drinking wine-Hong Kong-LKF-Lan Kwai Fong-Dinner Time-Meet up-CineStill 800T-Tungsten-Summilux 35mm-Leica-Night-Neon light-HK-Portrait.jpg
Laura-smoking outside restaurant-Hong Kong-LKF-Lan Kwai Fong-Dinner Time-Meet up-CineStill 800T-Tungsten-Summilux 35mm-Leica-Night-Neon light-HK-Portrait-wine drinking-film 135-drinkLaura-smoking outside restaurant-Hong Kong-LKF-Lan Kwai Fong-Dinner Time-Meet up-CineStill 800T-Tungsten-Noctilux-50mm-Leica-Night-Neon light-HK-Portrait-wine drinking-film 135Outside Japanese restaurant and having wine together 
Laura-smoking outside restaurant-Hong Kong-LKF-Lan Kwai Fong-Dinner Time-Meet up-CineStill 800T-Tungsten-Summilux-35mm-Leica-Night-Neon light-HK-Portrait-wine drinking-film 135_
Laura-smoking outside restaurant-Hong Kong-LKF-Lan Kwai Fong-Dinner Time-Meet up-CineStill 800T-Tungsten-Summilux 35mm-Leica-Night-Neon light-HK-Portrait-wine drinking-film 135 _
Laura-smoking outside restaurant-Hong Kong-LKF-Lan Kwai Fong-Dinner Time-Meet up-CineStill 800T-Tungsten-Noctilux-50mm-Leica-Night-Neon light-HK-Portrait 3.jpgLaura chatting with Fay
Steve-happy paradise-Hong Kong-LKF-Lan Kwai Fong-Dinner Time-Meet up-CineStill 800T-Tungsten-Noctilux-50mm-Leica-Night-Neon light-HK-Portrait 3
Fay-happy paradise-Hong Kong-LKF-Lan Kwai Fong-Dinner Time-Meet up-CineStill 800T-Tungsten-Noctilux-50mm-Leica-Night-Neon light-HK-Portrait
Fay-happy paradise-Hong Kong-LKF-Lan Kwai Fong-Dinner Time-Meet up-CineStill 800T-Tungsten-Noctilux-50mm-Leica-Night-Neon light-HK-Portrait 3Serious talk before Fay is going to Singapore for her new adventures
Fay-portrait of drinking wine-Hong Kong-LKF-Lan Kwai Fong-Dinner Time-Meet up-CineStill 800T-Tungsten-Summilux 35mm-Leica-Night-Neon light-HK-Portrait
Ayu-home studio-holding cup-portrait-shy-Noctilux 50mm-CineStill 800T-Tungsten-film-snap
Steve-smoking outside restaurant-Hong Kong-LKF-Lan Kwai Fong-Dinner Time-Meet up-CineStill 800T-Tungsten-Summilux-35mm-Leica-Night-Neon light-HK-Portrait-wine drinking-film

Hong Kong City Scanner 002

Bright-Sunny day-Wan Chai-Attraction-tourist-Chinese-Studio umbrella-Hong-Kong-Street-Snap-Streetphotography-Style-JCH pan 400-Japan Camera Hunter-JCH-ISO400-Back and white film-B&W- BW-Analog-Film camera-135

City: Hong Kong
Camera: Leica M2
Lens: Leica Summilux 35mm f1.4 FLE ASPH, Summicron 35mm f2 IV pre-a
Film: JCH Street Pan 400

Bright Sunny day with a roll of JCH Pan 400 to do some city snaps in Wan Chai District.

Guy bringing his work companion-Lizard-reptile-Hong-Kong-Street-Snap-Streetphotography-Style-JCH pan 400-Japan Camera Hunter-JCH-ISO400-Back and white film-B&W- BW-Analog-Film camera-135 format 2
Geometry-Workers-Hong-Kong-Street-Snap-Streetphotography-Style-JCH pan 400-Japan Camera Hunter-JCH-ISO400-Back and white film-B&W- BW-Analog-Film camera-135 format
Guy bringing his work companion-Lizard-reptile-Hong-Kong-Street-Snap-Streetphotography-Style-JCH pan 400-Japan Camera Hunter-JCH-ISO400-Back and white film-B&W- BW-Analog-Film camera-135 format-Leica SummiluxHe brings his lizard to work! (JCH Street Pan 400 with Summilux 35mm f1.4 ASPH FLE)
Bright-Sunny day-Wan Chai-Attraction-tourist-Chinese-Studio umbrella-Hong-Kong-Street-Snap-Streetphotography-Style-JCH pan 400-Japan Camera Hunter-JCH-ISO400-Back and white film-B&W- BW-Analog-Film camera-135
Umbrella-tourist-Mainland-Chinese-Studio umbrella-Hong-Kong-Street-Snap-Streetphotography-Style-JCH pan 400-Japan Camera Hunter-JCH-ISO400-Back and white film-B&W- BW-Analog-Film camera-135 formatTourist taking pictures in Wan Chai Golden Bauhinia Square (JCH Street Pan 400 with Summilux 35mm f1.4 FLE)
Keith-Fong-smoking- waiting to cross the road- in Wan Chai-JCH-Pan 400-Japan Camera Hunter-Hong Kong-Leica User-Street Shot-Shooter-rangefinder-ISO400-film-black and white-135 format
Keith-Fong-Snapping in Wan Chai-JCH-Pan 400-Japan Camera Hunter-Hong Kong-Leica User-Street Shot-Shooter-rangefinder-ISO400-film-black and white-135 format
Keith-Fong-Snapping in Wan Chai-JCH-Pan 400-Japan Camera Hunter-Hong Kong-Leica User-Street Shot-Shooter-rangefinder-ISO400-film-black and white-135Keith snapping around (JCH Street Pan 400 with Summicron 35mm f2 IV pre-a)(Above and below)
Smoking-Cigarette-Old man with Sunglasses-Hong-Kong-Street-Snap-Streetphotography-Style-JCH pan 400-Japan Camera Hunter-JCH-ISO400-Back and white film-B&W- BW-Analog-Film camera-135 format-Portrait-Guy-Sogo
Old man are posing-Park-WaterFront-hook-Sunny Day-JCH pan 400-ISO400-Summicron 35mm-film-black and white-Japan Camera HunterJCH Street Pan 400 with Summicron 35mm f2 IV pre-a
Helicopter-Landing-Government-Hong-Kong-Street-Snap-Streetphotography-Style-JCH pan 400-Japan Camera Hunter-JCH-ISO400-Back and white film-B&W- BW-Analog-Film camera-135 formatTaking off (JCH Street Pan 400 with Summilux 35mm f1.4 ASPH FLE)
Lizard-reptile-Hong-Kong-Street-Snap-Streetphotography-Style-JCH pan 400-Japan Camera Hunter-JCH-ISO400-Back and white film-B&W- BW-Analog-Film camera-135 format-Portrait-Guy-SogoHis work companion (JCH Street Pan 400 with Summilux 35mm f1.4 ASPH FLE)

 

Hong Kong City Scanner 001

Construction-working-working-on-super-hot-sunny-day-afternoon-in-Wan-Chai-Leica-Summicron-35mm-f2-IV-Pre-asph-Rollei-Vario-Chrome-320-Film-Review-Photo-walk-in-Hong-Kong

City: Hong Kong
Camera: Leica M2
Lens: Leica Summicron 35mm f2 IV pre-a
Film: Rollei Vario Chrome at ISO400

Every saturday afternoon I will grab my Film camera and start walking on foot in this vibrant city – Hong Kong. This time, the images were focused in the Wan Chai District.

All photos were taken with Rollei Vario Chrome at ISO400

Complexity-and-complicated-constructions-in-Hong-Kong-Leica-Summicron-35mm-f2-IV-Pre-asph-Rollei-Vario-Chrome-320-Film-review-Photo-walk-in-hong-Kong
Chinese-tourist-Selfie-is-everywhere-taken-in-Wan-Chai-water-front-Leica-Summicron-35mm-f2-IV-Pre-asph-Rollei-Vario-Chrome-320-Film-review-Photo-walk-in-Hong-KongLeica Summicron 35mm f2 IV pre-a with Rollei Vario Chrome (Above and Below)
Candid-shots-people-fishing-in-Wan-Chai-waterfront-Leica-Summicron-35mm-f2-IV-Pre-asph-Rollei-Vario-Chrome-320-Film-Review-Photo-walk-in-Hong-Kong
Candid-shots-people-fishing-in-Wan-Chai-waterfront-Leica-Summicron-35mm-f2-IV-Pre-asph-Rollei-Vario-Chrome-320-Film-Review-Photo-walk-in-Hong-Kong
Photo-walk-with-Victor-Chen-during-Sunset-in-Wan-chai-waterfront-Leica-Summicron-35mm-f2-IV-Pre-asph-Rollei-Vario-Chrome-320-Film-review-Photo-wakLeica Summicron 35mm f2 IV pre-a with Rollei Vario Chrome (Above and Below)
Fishing-next-to-the-helicopter-port-Leica-Summicron-35mm-f2-IV-Pre-asph-Rollei-Vario-Chrome-320-Film-review-Photo-walk-in-Hong-Kong
Monk-from-india-visiting-Hong-Kong-Snapped-at-wan-chai-Leica-Summicron-35mm-f2-IV-Pre-asph-Rollei-Vario-Chrome-320-Film-review-Photo-walk-in-Hong-Kong
Monk-from-india-visiting-Hong-Kong-Snapped-at-wan-chai-Leica-Summicron-35mm-f2-IV-Pre-asph-Rollei-Vario-Chrome-320-Film-review-Photo-walk-in-Hong-KongMonk-from-india-visiting-Hong-Kong-Snapped-at-wan-chai-Leica-Summicron-35mm-f2-IV-Pre-asph-Rollei-Vario-Chrome-320-Film-review-Photo-walk-in-Hong-KongMonks from India enjoying the view in Wan Chai Pier
Love-her-hat-matching-with-the-background-in-Wan-Chai-harbour-Leica-Summicron-35mm-f2-IV-Pre-asph-Rollei-Vario-Chrome-320-Film-review-Photo-walk-in-Hong-Kong
Construction-working-working-on-super-hot-sunny-day-afternoon-in-Wan-Chai-Leica-Summicron-35mm-f2-IV-Pre-asph-Rollei-Vario-Chrome-320-Film-Review-Photo-walk-in-Hong-Kong
Standard-scenic-view-of-Hong-Kong-skyscrapers-Leica-Summicron-35mm-f2-IV-Pre-asph-Rollei-Vario-Chrome-320-Film-review-Photo-walk-in-Hong-Kong

Hong Kong Night Tide 001

Hawker-Porter-Gear-Ladies-Market-Portrait-Hong-Kong-Night-Tide-Photo-walk-Night-Street-Snap-CineStill-800T-Tungsten-Leica-Summilux-11663-35mm-pushed-ISO2400-Motion-picture-Colour-Movie-Feel-Rainy

City: Hong Kong
Camera: Leica M2
Lens: Leica Summilux 35mm f1.4 FLE ASPH
Film: CineStill 800T Tungsten

After the heavy rain is always the best time to take your camera out and go for a walk in Hong Kong. City Night Tide is fabulous with different neon lights in the most condensed District – Mong Kok (All images were taken with CineStill 800 Tungsten pushed to ISO2400) For detail of this film, you may refer to CineStill 800T

Scenic-Raining-Top-view-Temple-Street-Hong-Kong-Night-Tide-Photo-walk-Night-Street-Snap-CineStill-800T-Tungsten-Leica-Summilux-11663-35mm-pushed-ISO2400-Motion-picture-Colour-Movie-Feel
Scenic-Raining-Top-view-Temple-Street-Hong-Kong-Night-Tide-Photo-walk-Night-Street-Snap-CineStill-800T-Tungsten-Leica-Summilux-11663-35mm-pushed-ISO2400-Motion-picture-Colour-Movie-Feel2Temple Street Entrace 
Scenic-Raining-Top-view-Temple-Street-Hong-Kong-Night-Tide-Photo-walk-Night-Street-Snap-CineStill-800T-Tungsten-Leica-Summilux-11663-35mm-pushed-ISO2400-Motion-picture-Colour-Movie-Feel3-Banner

Hawker-Porter-Gear-Ladies-Market-Portrait-Hong-Kong-Night-Tide-Photo-walk-Night-Street-Snap-CineStill-800T-Tungsten-Leica-Summilux-11663-35mm-pushed-ISO2400-Motion-picture-Colour-Movie-Feel-Rainy
Hawker-Porter-Gear-Ladies-Market-Portrait-Hong-Kong-Night-Tide-Photo-walk-Night-Street-Snap-CineStill-800T-Tungsten-Leica-Summilux-11663-35mm-pushed-ISO2400-Motion-picture-Colour-Movie-Feel-2Worker from Ladies Market (Above and Below)

Taxi-Red-Hue-Hong-Kong-Night-Tide-Photo-walk-Night-Street-Snap-CineStill-800T-Tungsten-Leica-Summilux-11663-35mm-pushed-ISO2400-Motion-picture-Colour-Movie-FeelTaxi outside MTR station 
Gary-Portrait-Hong-Kong-Night-Tide-Photo-walk-Night-Street-Snap-CineStill-800T-Tungsten-Leica-Summilux-11663-35mm-pushed-ISO2400-Motion-picture-Colour-Movie-Feel-After-rainStreet companion with his Leica M2
Worker-Hardship-Ladies-Market-Hong-Kong-Night-Tide-Photo-walk-Night-Street-Snap-CineStill-800T-Tungsten-Leica-Summilux-11663-35mm-pushed-ISO2400-Motion-picture-Colour-Movie-Feel3-BannerLadies Market closing down at night(Left and Right)
Hawker-Porter-Gear-Ladies-Market-Portrait-Hong-Kong-Night-Tide-Photo-walk-Night-Street-Snap-CineStill-800T-Tungsten-Leica-Summilux-11663-35mm-pushed-ISO2400-Motion-picture-Colour-Movie-Feel-Closing
Gary-Portrait-Hong-Kong-Night-Tide-Photo-walk-Night-Street-Snap-CineStill-800T-Tungsten-Leica-Summilux-11663-35mm-pushed-ISO2400-Motion-picture-Colour-Movie-Feel
Portrait-Temple-Street-Hong-Kong-Night-Tide-Photo-walk-Night-Street-Snap-CineStill-800T-Tungsten-Leica-Summilux-11663-35mm-pushed-ISO2400-Motion-picture-Colour-Movie-FeelPortrait in Mong Kok (Top and Bottom)
Portrait-Temple-Street-Hong-Kong-Night-Tide-Photo-walk-Night-Street-Snap-CineStill-800T-Tungsten-Leica-Summilux-11663-35mm-pushed-ISO2400-Motion-picture-Colour-Movie-Feel2
Portrait-Hong-Kong-Night-Tide-Photo-walk-Night-Street-Snap-CineStill-800T-Tungsten-Leica-Summilux-11663-35mm-pushed-ISO2400-Motion-picture-Colour-Movie-Feel-Nepalese-Minorities-LocalNepalese from the Grill house (Left and Right)

CineStill 50 Daylight

movie film, CineStill, Cine, 50D, Daylight, new film, introduce, try new film, anyone tried, iso50, film review, tahusa, tahusa.co, jp ver, kodak super gold 400, kodak, supergold 400, iso400, film, analogue, analogue lover, film shooter, shooterfilm, flickr, film is not dead, how to choose film, fuji superia premium 400, superia premium, fujifilm, kodak, ektachrome, kodachrome, xpan, medium format, 135 format, 文青,

What so special about CineStill 50D?

Same as CineStill 800T, it is a cinema film with emulsion from Kodak motion picture and modified to be suitable with C-41 processing too. For more information, you can refer to CineStill official website.

movie film, CineStill, Cine, 50D, Daylight, new film, introduce, try new film, anyone tried, iso50, film review, tahusa, tahusa.co, jp ver, kodak super gold 400, kodak, supergold 400, iso400, film, analogue, analogue lover, film shooter, shooterfilm, flickr, film is not dead, how to choose film, fuji superia premium 400, superia premium, fujifilm, kodak, ektachrome, kodachrome, xpan, medium format, 135 format, 文青,

Name: CineStill 50 Daylight

ISO: 50

Film type: Daylight Colour Negative

Character: High resolution and sharpness

Weather determines your colour palette!

CineStill 50D is different from its brother, CineStill 800T. It is a colour balanced daylight film at 5,500K. If any of you who is not familiar with colour temperature, you can have a look at B&H’s website. It renders a super cool tone if there is a lack of sunlight but at the same time it can gives you a normal tone on a bright sunny day. I strongly believe that colour temperature determines your image palette and it affect the mood and emotion in it. In general, it has an orange cast compare with Kodak Ektar 100 and Skin tone is abit “off” with CineStill 50D.

children-kids-happy-playing-around-Pattaya-Thailand-using-film-leica-m2-summicron-35mm-f2-v1-8elements-hk-cinestill-Cine-movie-film-analog-c41-unique-color-film-review-street-streetsnap-streetphotography-iso50-50D
lover-sitting-under-the-shade-of-tree-on-beach-Pattaya-Thailand-using-film-leica-m2-summicron-35mm-f2-v1-8elements-hk-cinestill-Cine-movie-film-analog-c41-unique-color-film-review-street-streetsnap-streetphotography-iso50-50D
there-are-many-small-boat-transporting-people-around-pier-for-fishing-entertainment-hongkong-hk-hong-kong-cinestill-cinestill50-cinestill50D-iso200-pushed-hot-weather-east-dam-water-portrait-Nikon-f100-film-camera-50mm-f1.4D-1.4
portrait-of-becky-standing-in-balcony-of-hotel-nice-weather-sunny-Pattaya-Thailand-using-film-leica-m2-summicron-35mm-f2-v1-8elements-hk-cinestill-Cine-movie-film-analog-c41-unique-color-film-review-street-streetsnap-streetphotography

High resolution and Superb Sharpness

Images from CineStill 50D were with super high sharpness at ISO50, 100 and 200. I think the grain from it is even finer than Ektar 100. They also claimed to be the world’s sharpest and finest grain colour film at their official website. Seriously, it is almost the same as the images taken with a Digital SLR.

Afraid of using such a low ISO film?

Not sure any of you would have the same thought that low ISO speed film are often tend to be harder to use. In order to make good use of the film, and be able to use at smaller apertures After testing the film with  ISO100 and ISO200, both results gave me more solid colour palette, increased contrast and the outcome is better than using it at ISO50. So any of you who have not tried CineStill 50D, you can try to use it at higher ISO speed. Another similar exposure latitude, you may also try Kodak Ektar 100 to gives you a higher saturated colour and warmer tone.

Sample images below with film pushed to ISO100 and 200

Passive-smoking-taxi-driver-putting-cigarette-into-lady-mouth-street-photography-streetsnap-hong-kong-HK-Cinestill-50D-iso50-movie-film-kodak-analog-summicron-35mm-f2-iv-pre-a-king-of-bokeh
construction-site-visit-monk-from-india-to-Hongkong-travel-street-photography-streetsnap-hong-kong-HK-Cinestill-50D-iso50-movie-film-kodak-analog-summicron-35mm-f2-iv-pre-a-king-of-bokeh-50D-iso200-pushed
taxi-fit-righti-into-the-perfect-spot-geometry-asymetrical-asia-street-photography-streetsnap-hong-kong-HK-Cinestill-50D-iso50-movie-film-kodak-analog-summicron-35mm-f2-iv-pre-a-king-of-bokeh-50D-iso200-pushed
School-students-visiting-palace-in-bangkok-thailand-wearing-a-paper-bag-pretending-monster-with-shiny-gold-decoration-interior-street-snap-hk-cinestil-cine-cinestill50-50D-film-analog-leica-m2-Noctilux-50mm-f1-e58-v1
Tourist-visiting-palace-in-bangkok-thailand-wearing-sunglasses-with-shiny-gold-decoration-interior-street-snap-hk-cinestil-cine-cinestill50-50D-film-analog-leica-m2-Noctilux-50mm-f1-e58-v1

What lenses did I use to take the images?

Nikon 35mm f2D

Leica Summicron 35mm f2 V1

Leica Summicron 35mm f2 IV pre-asph

Leica Noctilux 50mm f1 e58

victor-shooting-pictures-outside-hunghom-harbour-tunnel-with-his-mamiya-7sii-asia-street-photography-streetsnap-hong-kong-HK-Cinestill-50D-iso50-movie-film-kodak-analog-summicron-35mm-f2-iv-pre-a-king-of-bokeh-50D-iso200-pushed
so-hot-but-chill-on-beach-with-cold-drinks-Pattaya-Thailand-using-film-leica-m2-summicron-35mm-f2-v1-8elements-hk-cinestill-Cine-movie-film-analog-c41-unique-color-film-review-street-streetsnap-streetphotography-50D-iso50
tattoo-making-beach-man-under-hot-weather-Pattaya-Thailand-using-film-leica-m2-summicron-35mm-f2-v1-8elements-hk-cinestill-Cine-movie-film-analog-c41-unique-color-film-review-street-streetsnap-streetphotography
the-unique-landscape-of-rock-formation-granite-geography-hongkong-hk-hong-kong-cinestill-cinestill50-cinestill50D-iso200-pushed-hot-weather-east-dam-water-portrait-Nikon-f100-film-camera-50mm-f1.4D-1.4
the-unique-landscape-of-rock-formation-granite-geography-hongkong-hk-hong-kong-cinestill-cinestill50-cinestill50D-iso200-pushed-hot-weather-east-dam-water-portrait-Nikon-f100-film-camera-50mm-f1.4D-1.4
Laam-denise-prewedding-pre-wedding-hongkong-hk-hong-kong-cinestill-cinestill50-cinestill50D-iso200-pushed-hot-weather-east-dam-water-portrait-Nikon-f100-film-camera-50mm-f1.4D-1.4
Laam-denise-prewedding-pre-wedding-hongkong-hk-hong-kong-cinestill-cinestill50-cinestill50D-iso200-pushed-hot-weather-east-dam-water-portrait-Nikon-f100-film-camera-50mm-f1.4D-1.4

Fujichrome Provia 100F (RDPIII)

Fujifilm, fuji, fujichrome, provia, 100f, velvia, RDP100, RVPIII, RDPIII, iso 100, slide, positive film, beginner, projector, colour correction, 135 film, 35mm, colour

Fujifilm, fuji, fujichrome, provia, 100f, velvia, RDP100, RVPIII, RDPIII, iso 100, slide, positive film, beginner, projector, colour correction, 135 film, 35mm, colour

Name: Fujifilm Fujichrome Provia 100F (RDPIII)

ISO: 100

Film type: Positive Slide

Character: Medium saturation with fine grain

 

Colour and Character

Provia 100F is a daylight balanced colour slide film with super fine grain. Medium contrast and saturation character make this film ideal for use in landscape, portrait and nature photography. I would recommend you to use the film at ISO 100 or maximum at ISO 200 and to avoid pushing the film beyond this as it will cause the contrast to go up and lose the details in shadow. It has the signature green tint inherited from Fujifilm and this film is sensitive to blue and purple colour. Compare with Velvia 50 or Velvia 100F, Provia 100F tends to render a cooler mood and skin tone is more natural.

Neuschwanstein-Castle-Fussen-Germany-slide-Hasselblad-xpan-xpanii-45mm-f4-lens-pano-panoramic-panorama-Long-format-135-film-Fuji-Fujifilm-Provia-RDPIII-RDP-100F
birds-goose-flying-over-bypass-scene-Munich-Germany-Nymphenburg Palace-Germany-slide-Hasselblad-xpan-xpanii-45mm-f4-lens-pano-panoramic-panorama-Long-format-135-film-Fuji-Fujifilm-Provia-RDPIII-RDP-100F
Munich-Germany-Nymphenburg Palace-Germany-slide-Hasselblad-xpan-xpanii-45mm-f4-lens-pano-panoramic-panorama-Long-format-135-film-Fuji-Fujifilm-Provia-RDPIII-RDP-100F
Berlin-Germany-construction-geometry-Hasselblad-xpan-xpanii-45mm-f4-lens-pano-panoramic-panorama-Long-format-135-film-Fuji-Fujifilm-Provia-RDPIII-RDP-100F
Berlin-Germany-Concentration-camp-Hasselblad-xpan-xpanii-45mm-f4-lens-pano-panoramic-panorama-Long-format-135-film-Fuji-Fujifilm-Provia-RDPIII-RDP-100F

 

Accurate metering is the Key

Sometimes RDP III can be difficult to use. Not too bright or too dark is the key of success with this transparency film. You have to get the right exposure in order to have great picture result. My advice is to use light meter to check on different spots and get an average exposure. Otherwise, the picture will be overblown or too dark that cannot be saved from post processing.

Japan-Travel-trip-with-family-Gary-in-forest-pentax-67-6x7-medium-format-120-120format-RDPIII-RDP-Provia-Fuji-Fujifilm-Japan-Gunma-Snap-55mm-f4-asahi
Cesky-Krumlov-Czech-Republic-most-beautiful-small-town-Scenic-view-positive-film-analog-E6-provia-RDPIII-RDP-fuji-fujifilm-Summicron-35mm-f1-v1-canada-8elements-8ele-street-snap-streetphotography-photowalk
Prague-old-couple-sitting-enjoy-view-Czech-Republic-most-beautiful-small-town-Scenic-view-positive-film-analog-E6-provia-RDPIII-RDP-fuji-fujifilm-Summicron-35mm-f1-v1-canada-8elements-8ele-street-snap-streetphotography-photowalk

 

Dynamic Range is narrow

The film is too rigid to shoot under different conditions. Thus, it is the main reason why slide film is not my daily film even it gives you vibrant, accurate colour correction and “3D” feeling. Negative film is more flexible that can let you set +/- EV for 2/3 stops but slide film will mess up your images if you do that.

When should I use Provia 100F?

Bright sunny day would be the best time to snap with the Provia 100F because if the light is too dim, the picture will look more flat and muddy. Therefore, I prefer using it outdoor with sunlight. But if you love to take dramatic pictures at night with colour shift, then Provia 100F is the film that you should work with.

ophelia-portrait-reflection-from-sunglasses-in-inle-lake-myanmar-shan-state-boat-trip-south-east-asia-Asian-fuji-fujifilm-provia-100f-RDPIII-RDP-slide-135-positive-summicron-35mm-f2-v1-8elements-8ele-leica-m2-backpacking-burma-hostel-friends
Cesky-Krumlov-Czech-Republic-most-beautiful-small-town-Scenic-view-positive-film-analog-E6-provia-RDPIII-RDP-fuji-fujifilm-Summicron-35mm-f1-v1-canada-8elements-8ele-street-snap-streetphotography-photowalk
Metro-Metropol-Sevilla-Seville-Spain-Europe-children-walking-positive-film-analog-E6-provia-RDPIII-RDP-fuji-fujifilm-Summicron-35mm-f1-v1-canada-8elements-8ele
Gunma-scenic-view-miniature-model-Slide-Positive-film-E6-135-format-medium-120-provia-100f-RDPIII-RDP-Fuji-Fujifilm-Pentax-67-6x7-55mm-f4-asahi-japan-tokyo

 

Long Exposure with RDPIII?

Base on Provia 100F (RDP III) data sheet for long exposure more than 4 minutes, it needs a colour correction filter of 2.5G with an exposure correction of +1/3 stop otherwise it will lead to a colour shift.

What lenses did I use to take the images?

Leica Summicron 35mm f2 v1

Leica Summicron 50mm f2 Rigid type 1

Leica Noctilux 50mm f1 e58

Gunma-scenic-view-miniature-model-Slide-Positive-film-E6-135-format-medium-120-provia-100f-RDPIII-RDP-Fuji-Fujifilm-Pentax-67-6x7-55mm-f4-asahi-japan-tokyo
lithgow-cecilia-jumping-in-ruins-blast-furnace-shadow-voigtlander-15mm-f4.5-v1-ltm-leica-sydney-australia-provia-100f-RDPIII-RDP-Fuji-Fujifilm-Slide-E6-positive-135format-study-road-trip
Cesky-Krumlov-Czech-Republic-most-beautiful-small-town-Scenic-view-positive-film-analog-E6-provia-RDPIII-RDP-fuji-fujifilm-Summicron-35mm-f1-v1-canada-8elements-8ele-street-snap-streetphotography-photowalk
lady-walking-with-her-scarf-Cape-de-roca-Portugal-Lisbon-positive-E6-slide-film-review-Europe-western-travel-Summicron-35mm-f2-v1-canada-8elements-ele
kiss-couple-lovers-intimating-Sevilla-Seville-Spain-Europe-children-walking-positive-film-analog-E6-provia-RDPIII-RDP-fuji-fujifilm-Summicron-35mm-f1-v1-canada-8elements-8ele
Barcelona-Sagrada-Familia-Bird-flying-Spain-Europe-children-walking-positive-film-analog-E6-provia-RDPIII-RDP-fuji-fujifilm-Summicron-35mm-f1-v1-canada-8elements-8ele-street-snap-streetphotography-photowalk
family-crossing-the-river-cambodia-siem-reap-sunny-daysouth-east-asia-Asian-fuji-fujifilm-provia-100f-RDPIII-RDP-slide-135-positive-summicron-35mm-f2-v1-8elements-8ele-leica-m2-backpacking
Major-friend-portrait-bokeh-blur-Karlovy-Vary-Czech-Republic-most-beautiful-small-town-Scenic-view-positive-film-analog-E6-provia-RDPIII-RDP-fuji-fujifilm-Summicron-35mm-f1-v1-canada-8elements-8ele-street-snap-streetphotography-photowalk