Tag:double-x

Lens-review-Leica-Summilux-35mm-f1.4-pre-asph-infinity-lock-early-type-v2-tahusa-MP-black-paint-lens-gear-camera-rangefinder-lenses-character-mood-leica-glow

Leica Summilux 35mm f1.4 Pre-asph Infinity Lock: A Hidden Gem with Characters

The Leica Summilux 35mm f1.4 Pre-asph Infinity Lock: A Hidden Gem with Characters A Lens Identical to Summilux first version aka Steel Rim There are many people who would dream of owning a copy of the first version Summilux 35mm because of its rarity, outlook and Leica “glow”. Its special outlook on both M2 and M3 version really made me fond of it, especially with that sexy OLLUX hood which is so unique in the entire Leica collection. It is […]

Continue Reading
Kodak, Eastman, 5222, Double-x, Double x, XX, Motion Picture, movie, cinefilm, cine film, cinematography, highspeed, high iso, light sensitive, traditional black and white film, bnw, b&W film, analog, leica summicron 50mm, 50mm, shoot film, film lover, tahusa, film review, hong kong, film blog, emulsion, greyscale, difference from other black and white, comparison, difference, how, choose film, choose black and white film, pick, guide, gradation, tonal range, darkroom,

Kodak Eastman 5222 Double-X

Kodak Eastman 5222 Double-X Analog Film Review My favourite Black and White film Motion Picture Black and White Film? Most of you must have already been using motion picture colour negative film such as CineStill 50D, CineStill 800T…etc. Kodak Eastman 5222 Double-X is Kodak’s legendary 35mm black and white cine film available for use in 35mm camera. Films such as Schindler’s List (1993), Memento (2000) and Casino Royale (2006) have used Double-X to evoke strong emotions like only black-and-white can do.   Name: Kodak Eastman […]

Continue Reading