Tag: cinestill

Hong Kong Night Tide 001

Hawker-Porter-Gear-Ladies-Market-Portrait-Hong-Kong-Night-Tide-Photo-walk-Night-Street-Snap-CineStill-800T-Tungsten-Leica-Summilux-11663-35mm-pushed-ISO2400-Motion-picture-Colour-Movie-Feel-Rainy

City: Hong Kong
Camera: Leica M2
Lens: Leica Summilux 35mm f1.4 FLE ASPH
Film: CineStill 800T Tungsten

After the heavy rain is always the best time to take your camera out and go for a walk in Hong Kong. City Night Tide is fabulous with different neon lights in the most condensed District – Mong Kok (All images were taken with CineStill 800 Tungsten pushed to ISO2400) For detail of this film, you may refer to CineStill 800T

Scenic-Raining-Top-view-Temple-Street-Hong-Kong-Night-Tide-Photo-walk-Night-Street-Snap-CineStill-800T-Tungsten-Leica-Summilux-11663-35mm-pushed-ISO2400-Motion-picture-Colour-Movie-Feel
Scenic-Raining-Top-view-Temple-Street-Hong-Kong-Night-Tide-Photo-walk-Night-Street-Snap-CineStill-800T-Tungsten-Leica-Summilux-11663-35mm-pushed-ISO2400-Motion-picture-Colour-Movie-Feel2Temple Street Entrace 
Scenic-Raining-Top-view-Temple-Street-Hong-Kong-Night-Tide-Photo-walk-Night-Street-Snap-CineStill-800T-Tungsten-Leica-Summilux-11663-35mm-pushed-ISO2400-Motion-picture-Colour-Movie-Feel3-Banner

Hawker-Porter-Gear-Ladies-Market-Portrait-Hong-Kong-Night-Tide-Photo-walk-Night-Street-Snap-CineStill-800T-Tungsten-Leica-Summilux-11663-35mm-pushed-ISO2400-Motion-picture-Colour-Movie-Feel-Rainy
Hawker-Porter-Gear-Ladies-Market-Portrait-Hong-Kong-Night-Tide-Photo-walk-Night-Street-Snap-CineStill-800T-Tungsten-Leica-Summilux-11663-35mm-pushed-ISO2400-Motion-picture-Colour-Movie-Feel-2Worker from Ladies Market (Above and Below)

Taxi-Red-Hue-Hong-Kong-Night-Tide-Photo-walk-Night-Street-Snap-CineStill-800T-Tungsten-Leica-Summilux-11663-35mm-pushed-ISO2400-Motion-picture-Colour-Movie-FeelTaxi outside MTR station 
Gary-Portrait-Hong-Kong-Night-Tide-Photo-walk-Night-Street-Snap-CineStill-800T-Tungsten-Leica-Summilux-11663-35mm-pushed-ISO2400-Motion-picture-Colour-Movie-Feel-After-rainStreet companion with his Leica M2
Worker-Hardship-Ladies-Market-Hong-Kong-Night-Tide-Photo-walk-Night-Street-Snap-CineStill-800T-Tungsten-Leica-Summilux-11663-35mm-pushed-ISO2400-Motion-picture-Colour-Movie-Feel3-BannerLadies Market closing down at night(Left and Right)
Hawker-Porter-Gear-Ladies-Market-Portrait-Hong-Kong-Night-Tide-Photo-walk-Night-Street-Snap-CineStill-800T-Tungsten-Leica-Summilux-11663-35mm-pushed-ISO2400-Motion-picture-Colour-Movie-Feel-Closing
Gary-Portrait-Hong-Kong-Night-Tide-Photo-walk-Night-Street-Snap-CineStill-800T-Tungsten-Leica-Summilux-11663-35mm-pushed-ISO2400-Motion-picture-Colour-Movie-Feel
Portrait-Temple-Street-Hong-Kong-Night-Tide-Photo-walk-Night-Street-Snap-CineStill-800T-Tungsten-Leica-Summilux-11663-35mm-pushed-ISO2400-Motion-picture-Colour-Movie-FeelPortrait in Mong Kok (Top and Bottom)
Portrait-Temple-Street-Hong-Kong-Night-Tide-Photo-walk-Night-Street-Snap-CineStill-800T-Tungsten-Leica-Summilux-11663-35mm-pushed-ISO2400-Motion-picture-Colour-Movie-Feel2
Portrait-Hong-Kong-Night-Tide-Photo-walk-Night-Street-Snap-CineStill-800T-Tungsten-Leica-Summilux-11663-35mm-pushed-ISO2400-Motion-picture-Colour-Movie-Feel-Nepalese-Minorities-LocalNepalese from the Grill house (Left and Right)

CineStill 50 Daylight

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What so special about CineStill 50D?

Same as CineStill 800T, it is a cinema film with emulsion from Kodak motion picture and modified to be suitable with C-41 processing too. For more information, you can refer to CineStill official website.

movie film, CineStill, Cine, 50D, Daylight, new film, introduce, try new film, anyone tried, iso50, film review, tahusa, tahusa.co, jp ver, kodak super gold 400, kodak, supergold 400, iso400, film, analogue, analogue lover, film shooter, shooterfilm, flickr, film is not dead, how to choose film, fuji superia premium 400, superia premium, fujifilm, kodak, ektachrome, kodachrome, xpan, medium format, 135 format, 文青,

Name: CineStill 50 Daylight

ISO: 50

Film type: Daylight Colour Negative

Character: High resolution and sharpness

Weather determines your colour palette!

CineStill 50D is different from its brother, CineStill 800T. It is a colour balanced daylight film at 5,500K. If any of you who is not familiar with colour temperature, you can have a look at B&H’s website. It renders a super cool tone if there is a lack of sunlight but at the same time it can gives you a normal tone on a bright sunny day. I strongly believe that colour temperature determines your image palette and it affect the mood and emotion in it. In general, it has an orange cast compare with Kodak Ektar 100 and Skin tone is abit “off” with CineStill 50D.

children-kids-happy-playing-around-Pattaya-Thailand-using-film-leica-m2-summicron-35mm-f2-v1-8elements-hk-cinestill-Cine-movie-film-analog-c41-unique-color-film-review-street-streetsnap-streetphotography-iso50-50D
lover-sitting-under-the-shade-of-tree-on-beach-Pattaya-Thailand-using-film-leica-m2-summicron-35mm-f2-v1-8elements-hk-cinestill-Cine-movie-film-analog-c41-unique-color-film-review-street-streetsnap-streetphotography-iso50-50D
there-are-many-small-boat-transporting-people-around-pier-for-fishing-entertainment-hongkong-hk-hong-kong-cinestill-cinestill50-cinestill50D-iso200-pushed-hot-weather-east-dam-water-portrait-Nikon-f100-film-camera-50mm-f1.4D-1.4
portrait-of-becky-standing-in-balcony-of-hotel-nice-weather-sunny-Pattaya-Thailand-using-film-leica-m2-summicron-35mm-f2-v1-8elements-hk-cinestill-Cine-movie-film-analog-c41-unique-color-film-review-street-streetsnap-streetphotography

High resolution and Superb Sharpness

Images from CineStill 50D were with super high sharpness at ISO50, 100 and 200. I think the grain from it is even finer than Ektar 100. They also claimed to be the world’s sharpest and finest grain colour film at their official website. Seriously, it is almost the same as the images taken with a Digital SLR.

Afraid of using such a low ISO film?

Not sure any of you would have the same thought that low ISO speed film are often tend to be harder to use. In order to make good use of the film, and be able to use at smaller apertures After testing the film with  ISO100 and ISO200, both results gave me more solid colour palette, increased contrast and the outcome is better than using it at ISO50. So any of you who have not tried CineStill 50D, you can try to use it at higher ISO speed. Another similar exposure latitude, you may also try Kodak Ektar 100 to gives you a higher saturated colour and warmer tone.

Sample images below with film pushed to ISO100 and 200

Passive-smoking-taxi-driver-putting-cigarette-into-lady-mouth-street-photography-streetsnap-hong-kong-HK-Cinestill-50D-iso50-movie-film-kodak-analog-summicron-35mm-f2-iv-pre-a-king-of-bokeh
construction-site-visit-monk-from-india-to-Hongkong-travel-street-photography-streetsnap-hong-kong-HK-Cinestill-50D-iso50-movie-film-kodak-analog-summicron-35mm-f2-iv-pre-a-king-of-bokeh-50D-iso200-pushed
taxi-fit-righti-into-the-perfect-spot-geometry-asymetrical-asia-street-photography-streetsnap-hong-kong-HK-Cinestill-50D-iso50-movie-film-kodak-analog-summicron-35mm-f2-iv-pre-a-king-of-bokeh-50D-iso200-pushed
School-students-visiting-palace-in-bangkok-thailand-wearing-a-paper-bag-pretending-monster-with-shiny-gold-decoration-interior-street-snap-hk-cinestil-cine-cinestill50-50D-film-analog-leica-m2-Noctilux-50mm-f1-e58-v1
Tourist-visiting-palace-in-bangkok-thailand-wearing-sunglasses-with-shiny-gold-decoration-interior-street-snap-hk-cinestil-cine-cinestill50-50D-film-analog-leica-m2-Noctilux-50mm-f1-e58-v1

What lenses did I use to take the images?

Nikon 35mm f2D

Leica Summicron 35mm f2 V1

Leica Summicron 35mm f2 IV pre-asph

Leica Noctilux 50mm f1 e58

victor-shooting-pictures-outside-hunghom-harbour-tunnel-with-his-mamiya-7sii-asia-street-photography-streetsnap-hong-kong-HK-Cinestill-50D-iso50-movie-film-kodak-analog-summicron-35mm-f2-iv-pre-a-king-of-bokeh-50D-iso200-pushed
so-hot-but-chill-on-beach-with-cold-drinks-Pattaya-Thailand-using-film-leica-m2-summicron-35mm-f2-v1-8elements-hk-cinestill-Cine-movie-film-analog-c41-unique-color-film-review-street-streetsnap-streetphotography-50D-iso50
tattoo-making-beach-man-under-hot-weather-Pattaya-Thailand-using-film-leica-m2-summicron-35mm-f2-v1-8elements-hk-cinestill-Cine-movie-film-analog-c41-unique-color-film-review-street-streetsnap-streetphotography
the-unique-landscape-of-rock-formation-granite-geography-hongkong-hk-hong-kong-cinestill-cinestill50-cinestill50D-iso200-pushed-hot-weather-east-dam-water-portrait-Nikon-f100-film-camera-50mm-f1.4D-1.4
the-unique-landscape-of-rock-formation-granite-geography-hongkong-hk-hong-kong-cinestill-cinestill50-cinestill50D-iso200-pushed-hot-weather-east-dam-water-portrait-Nikon-f100-film-camera-50mm-f1.4D-1.4
Laam-denise-prewedding-pre-wedding-hongkong-hk-hong-kong-cinestill-cinestill50-cinestill50D-iso200-pushed-hot-weather-east-dam-water-portrait-Nikon-f100-film-camera-50mm-f1.4D-1.4
Laam-denise-prewedding-pre-wedding-hongkong-hk-hong-kong-cinestill-cinestill50-cinestill50D-iso200-pushed-hot-weather-east-dam-water-portrait-Nikon-f100-film-camera-50mm-f1.4D-1.4

CineStill 800 Tungsten

Neon board, sign, Wong kar wai, tint, movie color, bar, Bokeh, blur, depth of field, pop, sharp, smooth, beer, Push, iso 3200, colour, color, negative, 電影, 電影菲林, 街拍, 菲林, film, analog, 35mm, 135, format, photography, film is not dead, i shoot film, shoot film, Thailand, pattaya, bangkok, travel, night photography, nightlife, Cinestill, cine still, 800T, iso800, highspeed film, high iso, Noctilux 50mm f1.0, Noctilux, Leica, F1.0, f1, big aperture,

CineStill 800 Tungsten Xpro

Is it a motion picture film?

It is a cinema film with emulsion from Kodak Vision 3 5219, but the film is modified and suitable for C-41 processing. The gamma yielding is increased from ISO 500 to ISO 800. For more information, you can visit the CineStill official website.

cinestill, 800, iso800, film, movie film, motion pictures, analog, 135, 35mm

Name: CineStill 800 Tungsten Xpro

ISO: 800

Film type: Tungsten Colour Negative

Character: Tungsten, pushable and not contrasty

 

Colour and Character

It is a high speed negative film for low light situation and most importantly, the film is “pushable” which means it gives you flexibility to rate the ISO up to 3200 (2 stops faster). CineStill 800T is great to pair with neon lights at night with its distinctive cool colour tone. The overblown red colour and natural skin tone impressed me and I immediately think of the movie Chungking Express, directed by Wong Kar Wai; while other high speed film such as Fujifilm Natura 1600 will give you a warmer tone.

Neon-light-65-peel-bar-wong-kar-wai-night-life-Hong-Kong-HK-Cinestill-800T-800-iso800-Tungsten-film-movie-kodak-with-Noctilux-50mm-f1-f1.0-e58-v1-large-aperture-bokeh-grain-pushed-
65-peel-bar-christabel-portrait-wong-kar-wai-night-life-Hong-Kong-HK-Cinestill-800T-800-iso800-Tungsten-film-movie-kodak-with-Noctilux-50mm-f1-f1.0-e58-v1-large-aperture-bokeh-grain-pushed
kiss-before-leaving-moment-love-couple-wong-kar-wai-night-life-Hong-Kong-HK-Cinestill-800T-800-iso800-Tungsten-film-movie-kodak-with-Noctilux-50mm-f1-f1.0-e58-v1-large-aperture-bokeh-grain-pushed

 

Recommended ISO and acceptable exposure for push processing:

ISO 800 – No push – EI 200-1600
ISO 1250 – 1 stop push – EI 800-2000
ISO 1600 – 2 stop push – EI 1250-3200
ISO 3200 – 3 stop push – EI 1600-3200 (added contrast)

Source from CineStill

marisa-portrait-wong-kar-wai-night-life-Hong-Kong-HK-Cinestill-800T-800-iso800-Tungsten-film-movie-kodak-with-Noctilux-50mm-f1-f1.0-e58-v1-large-aperture-bokeh-grain-pushed
christabel-portrait-wong-kar-wai-night-life-Hong-Kong-HK-Cinestill-800T-800-iso800-Tungsten-film-movie-kodak-with-Noctilux-50mm-f1-f1.0-e58-v1-large-aperture-bokeh-grain-pushed
before-going-home-christabel-portrait-wong-kar-wai-night-life-Hong-Kong-HK-Cinestill-800T-800-iso800-Tungsten-film-movie-kodak-with-Noctilux-50mm-f1-f1.0-e58-v1-large-aperture-bokeh-grain-pushed
before-going-home-christabel-portrait-wong-kar-wai-night-life-Hong-Kong-HK-Cinestill-800T-800-iso800-Tungsten-film-movie-kodak-with-Noctilux-50mm-f1-f1.0-e58-v1-large-aperture-bokeh-grain-pushed

 

Grain

At ISO 800, the film is surprisingly smooth and I have seen so many sample pictures that even pushed to ISO 3200 and the grain is not really an issue. At the same time, it beats Fujifilm Natura with finer grain and it gives you higher sharpness and details.

drinking-portrait-wong-kar-wai-night-life-Hong-Kong-HK-Cinestill-800T-800-iso800-Tungsten-film-movie-kodak-with-Noctilux-50mm-f1-f1.0-e58-v1-large-aperture-bokeh-grain-pushed
christabel-portrait-wong-kar-wai-night-life-Hong-Kong-HK-Cinestill-800T-800-iso800-Tungsten-film-movie-kodak-with-Noctilux-50mm-f1-f1.0-e58-v1-large-aperture-bokeh-grain-pushed
before-going-home-christabel-portrait-wong-kar-wai-night-life-Hong-Kong-HK-Cinestill-800T-800-iso800-Tungsten-film-movie-kodak-with-Noctilux-50mm-f1-f1.0-e58-v1-large-aperture-bokeh-grain-pushed-pretty-lady

Should I try CineStill 800T?

If you are a fan of bokeh with colourful lights and love shooting at night. I would highly recommend you to use this film. Even though Fujifilm Natura has announced to discontinue its production, I still prefer CineStill more than other high-speed negative film. It became my “only” film to use at night. With the flexibility to push the film, I don’t have to worry about blurring my pictures caused by the slow shutter speed. It also create the movie feeling that stands out from the traditional negative film that we have been using for many years.

guy-enjoying-his-own-drink-alone-in-bar-pattaya-thailand-HK-Cinestill-800T-800-iso800-Tungsten-film-movie-kodak-with-Noctilux-50mm-f1-f1.0-e58-v1-large-aperture-bokeh-grain-pushed-street-snap
restaurant-pattaya-thailand-HK-Cinestill-800T-800-iso800-Tungsten-film-movie-kodak-with-Noctilux-50mm-f1-f1.0-e58-v1-large-aperture-bokeh-grain-pushed-street-snap
father-and-daughter-sitting-on-street-pattaya-thailand-HK-Cinestill-800T-800-iso800-Tungsten-film-movie-kodak-with-Noctilux-50mm-f1-f1.0-e58-v1-large-aperture-bokeh-grain-pushed-street-snap
shisha-puff-smoking-smoke-pattaya-thailand-HK-Cinestill-800T-800-iso800-Tungsten-film-movie-kodak-with-Noctilux-50mm-f1-f1.0-e58-v1-large-aperture-bokeh-grain-pushed-street-snap
becky-in-pattaya-thailand-wong-kar-wai-night-life-Hong-Kong-HK-Cinestill-800T-800-iso800-Tungsten-film-movie-kodak-with-Noctilux-50mm-f1-f1.0-e58-v1-large-aperture-bokeh-grain-pushed

 

What lenses did I use to take the images?

Voigtlander 35mm f1.2 II ASPH

Leica Noctilux 50mm f1.0 e58 version 1

marisa-portrait-wong-kar-wai-night-life-Hong-Kong-HK-Cinestill-800T-800-iso800-Tungsten-film-movie-kodak-with-Noctilux-50mm-f1-f1.0-e58-v1-large-aperture-bokeh-grain-pushed
husband-and-wife-sharing-food-pattaya-thailand-HK-Cinestill-800T-800-iso800-Tungsten-film-movie-kodak-with-Noctilux-50mm-f1-f1.0-e58-v1-large-aperture-bokeh-grain-pushed-street-snap
dog-with-its-owner-pattaya-thailand-HK-Cinestill-800T-800-iso800-Tungsten-film-movie-kodak-with-Noctilux-50mm-f1-f1.0-e58-v1-large-aperture-bokeh-grain-pushed-street-snap
dog-with-its-owner-pattaya-thailand-HK-Cinestill-800T-800-iso800-Tungsten-film-movie-kodak-with-Noctilux-50mm-f1-f1.0-e58-v1-large-aperture-bokeh-grain-pushed-street-snap
sister-carrying-brother-around-pattaya-thailand-HK-Cinestill-800T-800-iso800-Tungsten-film-movie-kodak-with-Noctilux-50mm-f1-f1.0-e58-v1-large-aperture-bokeh-grain-pushed-street-snap
restaurant-pattaya-thailand-HK-Cinestill-800T-800-iso800-Tungsten-film-movie-kodak-with-Noctilux-50mm-f1-f1.0-e58-v1-large-aperture-bokeh-grain-pushed-street-snap
Push, iso 3200, colour, color, negative, 電影, 電影菲林, 街拍, 菲林, film, analog, 35mm, 135, format, photography, film is not dead, i shoot film, shoot film, Thailand, pattaya, bangkok, travel, night photography, nightlife, Cinestill, cine still, 800T, iso800, highspeed film, high iso, Noctilux 50mm f1.0, Noctilux, Leica, F1.0, f1, big aperture,bokeh-blur-smooth-beer-bar-pattaya-thailand-HK-Cinestill-800T-800-iso800-Tungsten-film-movie-kodak-with-Noctilux-50mm-f1-f1.0-e58-v1-large-aperture-bokeh-grain-pushed